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≡ Read Free Demo Hors Collection French Edition eBook

Demo Hors Collection French Edition eBook



Download As PDF : Demo Hors Collection French Edition eBook

Download PDF  Demo Hors Collection French Edition eBook

C’est déjà compliqué d’être un ado... alors imaginez avec des pouvoirs !

Par le biais d’histoires courtes indépendantes, Demo raconte les chroniques de jeunes gens aux capacités extraordinaires qui vont devoir, chacun à leur manière, affronter l’amour, la joie, la perte et se frayer un chemin dans un monde où – à l'instar du nôtre – il ne fait pas bon être différent... Une photographie de la jeunesse actuelle où les superpouvoirs forment le prisme révélateur des préoccupations adolescentes.

Immense succès critique indépendant puis chez DC-Vertigo, ce chef-d’œuvre signé Brian Wood (The New York Four, The Massive) et Becky Cloonan (The True Lives of the Fabulous Killjoys, Punisher), paraît aujourd’hui en France dans une édition définitive collectant l’intégralité de la série  soit 18 histoires courtes aux multiples genres narratifs et graphiques. Une véritable bible du comics indé !


Demo Hors Collection French Edition eBook

With DEMO Brian Wood and Becky Cloonan present an amazing set of dark stories with brilliant black/white art. Each story is short but telling, as we see several teens coping with the rougher side of having superpowers. This is much better reading and art than can be found in the similar Marvel comic NYX. I highly recommend this collection over the mainstream's version as it has more grit and more heart.

Product details

  • File Size 308902 KB
  • Publisher Glénat BD (May 3, 2017)
  • Publication Date June 7, 2017
  • Language French
  • ASIN B072DYMDB7

Read  Demo Hors Collection French Edition eBook

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Demo Hors Collection French Edition eBook Reviews


Demo is a collection of 12 short stories featuring young people with difficult lives in the midst of change. Initially the stories feel like kids with superpowers stories that wouldn't be amiss in a Marvel or DC book but, over time, the stories shift from teens to young adults in their twenties minus the superpowers and focused more on their relationships.

The first couple of stories feature teen girls with Carrie-esque psychic powers that trigger when stress is applied and the next story is about a teen girl finding out she can't die, and so on. These are all pretty on-the-nose in terms of their meaning - they have superpowers, end of. Brian Wood does mix it up in later stories though so you get a story about a young guy enlisting and being sent to Iraq but refusing to use his super-accurate shooting to kill people and the consequences of that upon his own life. And then a strange, almost poetic story about a young man reminiscing about a breakup with a girl who may or may not have killed herself.

Each of these stories are about certain moments in a person's life which go on to define their identity and later life, for better or worse. Each issue captures perfectly enough of the characters' lives to present you with a window into another existence and every story here gives you something to think about, something to care about. There really isn't a single story in this book that feels rushed, unimaginative, or dull - Wood has mastered the short form of comics to present the reader with 12 fascinating people and 12 clever, moving stories.

The stories wouldn't be nearly as good if the artist didn't match the talented writer, and artist Becky Cloonan, who draws each of the stories in a different style, really steps up in this collection. Sometimes her stuff looks manga-esque, sometimes she uses heavy shadows and light, some stories have lots of shading, some stories are told in large boxes, some with wide panels, some with lots of small panels making up a page - she has a lot of tricks in her artist's bag and she uses them all to suit the varied stories Wood is telling. Cloonan's art is always gorgeous, just take a look at her more recent stuff with Wood on Conan the Barbarian or her work with Scott Snyder on Batman to see how much of a range she possesses.

Demo is a book packed with experience - of love, heartbreak, hate, misery, frustration, pain, and happiness. Each story transports you somewhere new and Wood keeps the twists and nuance coming so you're never bored nor feel you're reading something predictable and he's joined with a super-talented artist to create a masterful and rewarding reading experience. I've held back on the details of this book because you should experience it firsthand to get the full impact of some of the stories - go ahead, read this excellent title. You might not like them all but there will be one or two that'll stay with you for a long time.
This collection is incredible. Poignant, dark, real. I want to say cutting edge, but some of the best indie stuff has been doing this for decades. But this still has its own character and is highly original. You must get this.
Demo, a collection of twelve short stories in comics form by Brian Wood and Becky Cloonan, reminds me of a great album by some popular alt-rock band. Like the best alt-rockers, Wood and Cloonan twist the devices of mainstream pop to unusually thoughtful ends. In the case of a rock band, those pop devices might be catchy hooks, or crunchy guitars. Think of the way that REM used schmaltzy sentimentality to hateful and ironic effect in their first top 40 hit ("This one goes out to the one I love ..."). It's pop, but it isn't - but, yes, really, it is - but, no, it really isn't. And so on. That's how it's done in music. In the case of a comic book, "pop" means superheroes. Even allegedly non-superheroic pop comics, like Sin City or Planetary, present the reader with superheroes (or supervillains) to root for and/or despise, albeit tights-less, cowl-less, capeless ones. That Yellow Bastard, for example, would be right at home in any Batman story. Demo, on the other hand, remains comparatively non-action-oriented it revolves around characters with super powers, but in a very different way than your typical Marvel or DC comic does. Well. Okay. That's a bit of an overstatement. Some of the stories, like the first one, "NYC," read like subplots in a 1970's X-Men comic (I totally imagine that the next panel - the one after the ending of this story - involves Professor X's disembodied head, come to save the day; it has to). That is not to say that they're not good stories. They are better stories than most stories you read in comics these days. The best stories in the book, though, the ones that actually make it worth reading, are the ones that push all the way through the pop trappings, and past them, into real and realistic moments that you'd never find in a mainstream comic book, or even in any superhero movie - moments that are dangerous precisely because they are so ambiguous, and so startlingly drab.

(the above is excerpted from my longer review at [...])
very solid and unorthodox storytelling. The script is intelligent, unapologetic and sort of naturalistic in its approach to theme. the description says it's a collection of "stories of conflicted teens grappling with love, loss, and the joy of finding your own way in life", sounds a tad bland. These stories break with the trivialities and cliche themes seen in mainstream comic books for decades. I should note I'm not a connoisseur of underground, indie comics so I wouldn't be able to compare this to the tradition of, say, Crumb or Clowes. It was a great read and the art is outstanding.
With DEMO Brian Wood and Becky Cloonan present an amazing set of dark stories with brilliant black/white art. Each story is short but telling, as we see several teens coping with the rougher side of having superpowers. This is much better reading and art than can be found in the similar Marvel comic NYX. I highly recommend this collection over the mainstream's version as it has more grit and more heart.
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